Friday, February 9, 2018

Journey to the Center of Berkeley's Mind















From Rockridge to
Civic Center
the scene old new
and timeless


College Avenue




Always exciting





These are by far
the largest dandelions
in my experience


Young people affix
recombinant artworks





Dandelion wine would be fine
the greens are edible too





My curvaceous Valentine
struts by the library
smiling turning heads










A subliminal erotic
undercurrent
the sap flows in early
Spring



A reminder
not all pussies
are nice


Without my walking stick
I'd be in a fix
if I was caught
without my cane



Everyone honors
firemen on a red
hook and ladder



Kids want to
fill those shoes
when they grow up



Dig those glam
Chelsea boots
city of hip kidniks






Myself I'm sort of partial
to a more mature boot

A grooving
record shop



Symbolizing
the order of the quest

onward to



Berkeley Historical Society

Vintage vinyl
is on my screen





Glamorous apparel






Past members gather at
the Overlook Hotel
a convention of ghosts


I'm here for this show




An exhibition celebrating
the evolution of the Berkeley Folk,
Folk-rock and Psychedelic
music scenes of the 1960s


The Jabberwock
Berkeley's premier Folk coffeehouse
Folks like Jerry G., Jorma K.,
Paul Kantner, Janis alongside
John Fahey and Robbie Basho




National figures
made the scene
leaders of the movement
like visiting dignitaries





Joan Baez, the Elvis of Folk,
lived in Northern California,
and played here a lot,
Malvina Reynold was actually
 a Berkeley resident




A lineage defined


Lifetime of singular
song-writing
recognized



Nods to other less well known
folk-rockers
lower billed on the posters



The night clubs
and obscure 45s
as Folk transitioned
into Folk Rock


The Jefferson Airplane
came over the bridge
and consented to
blow your mind


Thereafter
appropriate threads
are advised
Looks like a forensic
examination


And naturally the take-away
of the show

Country Joe and the Fish
the only Berkeley
psychedelic band
 that mattered



Their superb first LP
here shown in a reel to reel
tape format,
Rag baby folk mag
with 45 single




Country Joe and the Fish
songbook
a period piece



Politically committed as well
Berkeley would seem to have
insisted on it

Who's on that turntable anyway
Freddie Hughes!

A great falsetto singing
local blues and soul star,
We're acquainted
Freddie works with keyboardist
 Chris Burns and so do I
We played on the same bill in 2011


So last stop at
an outro vitrine



At this point a small historian
like a character actor
in an old film noir,
interrupted in my image capture
to proclaim that copyright
forbids it


A little late
to prevent me
from grabbing this
intriguing artifact


An original Country Joe
poster calendar
in a special case
This was the piece de resistance


So The Berkeley Flaneur
says check it on out
Thursday, Friday, Saturday
1-4 PM
until All Fool's Day


















8 February 2018










No comments: