Tuesday, May 31, 2011

About Town in the Maytime


Flaneur accompanies his free play of thought with digital photo captures of the evanescent.







Out of doors and into the May.












Cool air this Spring the jet stream is close, good for the rhododendrons










Great to sit outdoors and watch the sky go by











Clever to measure a day only by the earth's clock










Always something new downtown.









Interesting people











Interesting things to notice












Colors everywhere you look even underfoot











Take care not to step on them











Flowers are forgiving











Escape to the Berkeley pier












To a peaceful bench












While away the time with a vista majestic and serene












Return to happy hunting grounds













To come home amid the long grass










To fall asleep in a house of clouds












May 2011

Friday, April 29, 2011

Sunday, April 3, 2011

The Outing at Indian Rock


A spate of rather hot days occurred this week--temperatures only in the high seventies but it felt every degree of that with brilliant sunshine. By All Fool's day friday the Flaneur saw fit for a little lacuna in an impacted week. The prospect of an escape out to north Berkeley to scale the mineralogical heights of Indian Rock seemed agreeable.

Perhaps I'd ramble round town a bit before going northward. I hop a bus in the opposite direction --the 49 counter-clockwise down Dwight way that boomerangs back up Ashby all the way to College Avenue where I'm initially bound. The familiar driver looks like Andy Kaufman's alter ego and appears nearly as dissipated--we're cordial. It's an oven but I risk my neck opening windows while in motion and things are then fine. Everywhere I look outside along the way are sativa-colored flowers burgeoning in the copious sunshine.
Pretty ladies in brief sunny outfits abound on College. I'm into the post office to check my box. There's both a letter from an British poet I admire and a welcoming check. Next it's off to the paranoid precincts of a large Wells Fargo bank. Apparently this one gets robbed a lot so I must negotiate hearing a teller through the air-holes in a thick plexiglass structure of bullet exclusion.
They hand you a slip with the amount you're depositing but no balance printed on it. To get around this annoyance, I stop at the ATM for some cash on the way out only to discover the balance line on the receipt is inexplicably blank. I remark on this novelty to a lady and learn that she was perplexed about it too. Another girl comes over to us who is also non-plussed. They even tell you there's a charge to print your balance at the ATM--it's as if they don't want you to keep track of your balance. Is it so we'll spend more recklessly and stimulate the economy that the banks and their fellow-traveling brokers looted? And of course stumble in writing overdrafts that earn them lucre.

Next it's down to the Claremont library on it's next to last day before a long closure for renovations. It's a great funky place that like most branches has had quite a few pungent eccentrics shelter there for long hours. It does so with Berkeley's stiff tolerance for down and out people. There was one memorable lady who used to sit and space over a magazine dressed in a fur coat and a broad hat with silk scarf over it. She also wore shades and a palpable cloud of rose perfume. Patchouli is another air one often encounters among the reading room's denizens some clearly confirmed soap-dodgers.
This is not to imply that the indigenous indigents don't leave the staff a little edgy. I chat with one librarian. I'm certain he dislikes me but is constrained by the presence nearby of his supervisor, a sweet lady who directs the children's wing. I predict the place will be better with new carpet and paint and ignore the social-engineering that will no doubt accompany them. He grimly concurs.
This fellow is not the only irrationally hostile library worker I have observed in fair Berkeley. It has caused me to list "to go librarian" next to "to go postal" in my lexicon.

A brief wait back at the post office bus stop is followed by a pleasant ride downtown. The bus follows budding College avenue through the hive-like precincts by campus. Before I deboard downtown in front of Peets, I'm met by another sight on my tour of the grand malaise, the dysphoric morass into which society has slid. An empty bus lies across Shattuck diagonally as if entering the bus stop lane. My bus must inch past around it to discharge us and then the view for the on-coming buses is nil. Ah but this too passes as the #18 rolls up and I move on.

After a glide through north Berkeley with the gourmet ghetto. It had been my neighborhood for two months last Summer. I would stand on my hotel balcony after midnight and drink in that native quality the town can exude when the rat race subsides for a moment. How I would have thrilled to have seen the mountain lion that prowled around there a few weeks after I had vacated. Of course, the tale ended very badly when a Berkeley cop responding to a sighting ran for his rifle and shot the noble native animal that had menaced no one. This is a place that makes a remarkable mosaic mural of a mountain lion on Addison--but if one shows up in the flesh...




I hop off just before the traffic tunnel to Solano Avenue. I am bound for the elevations it tunnels through. Walking backwards up the pedestrian ramp offers me good exercise and an impressive view along the way. Cresting I bisect the roundabout up top. I cut across the roadway for a moment's refreshing pause at a fountain adorned with effigies of the bear, our beloved totemic animal--but if one shows up in the flesh...
Traffic is fairly incessant up there and it takes my extensive skills as a pedestrian matador to be able to walk across and not have to outrun the unrelenting. One more vigorous hill to climb via Indian Rock avenue and I am at the foot of fabled bolite.
Stairs have been carved into the rock by the WPA during the depression. As I go up them I realize I shall be alone on the massive boulder. The day has heated-up considerably and the sun can be rather merciless up there so it's not for the faint of heart. I soldier on.

Indian Rock Park in fact occupies both sides of the street. There is a complex of smaller rock outcrops and patches of grass on one side and the massive bifurcated Indian Rock on the other. They are all rhyolite rock formations, volcanic in origin and further examples exist all along this ridge including those in Mortar Rock Park. Mortar Rock is so-named because of the surviving basins carved into the rock used originally by the Huichin branch of the Ohlone people. Mortars can be found at Indian Rock as well.



The formation has long been a practice spot for rock-climbers as it was for the late Galen Rowell a celebrated photographer of mountain wilderness. I once worked with him on a book event for down at the long gone Whole Earth Access store on seventh street. Handsome and intense he spent no time on small talk. An Oakland native he and his wife were killed in a plane crash-- an ill-considered flight back from Alaska with an inexperienced pilot.
There is also a right-angled bench carved near the top of the rock. Unless it is already occupied this is my traditional perch on the vertiginous rock face. The vista is quite clear despite the heat today. It extends from way north on the Bay across the verdant sweep of Marin the apron for Mount Tamalpais, then across the gossamer Golden Gate bridge to the alabaster city of San Francisco, and onto the silicon South. Before this skyline stretched the glorious fastness of the Bay, the Berkeley/El Cerrito flatlands with Oakland looming way off to the left. Behind rise the Berkeley hills moist and undulating in the breeze.

After ten minutes of uninterrupted solitude during which my black t-shirt and dark green trousers absorb all those incessant sun assassins from Pomo Indian myth. And before I overheat after me hike, I go native and doff my clothes. This is not to say I sat there ball-a-dangling naked-- I kept my boxer shorts on. They are somewhat notable in their own right with the four suits of playing card as a motif. The label which sits fetchingly below one's navel reads Lucky and when you part open the fly there is another label sewn on reading "Lucky You!" to someone presumably at eye-level. This last detail I failed to notice until I got them home. I realized that I had my first article of "gag" clothing since seventh grade when I bought a straw Bob Hope hat with golf tees and little beer cans on the brim. The only drawback at the moment is that they are basically white underwear and pretty easily identified as such.

There I sat hoping to stay lucky I suppose. I could hear kids climbing the other rock mass across the small ravine. I figured kids don't look twice at oldsters. In fact an older kid did slightly notice me without any reaction. Luckily I have started to lose some of burdensome so I didn't feel too self-conscious should anyone arrive suddenly. And naturally they did--two young men and a girl. They may have seen me as they climbed up but they had foot-holds on their minds. I unhurriedly put the pants back on. They were students at UC from Iran I deduced. They were soon joined by more friends who fit the same description. They formed a circle down the rock from me snacking and talking. Soon one little kid after another appeared and climbed past. It's quite a bracing elevation with many precipitous drops yet these kids were unfazed as they covered the surface like exploring ants. One little girl seems to have re-traced the ascent from primate ancestors walking on all fours. She just leans over and scoots up the rock face on all fours. An adorable little hippie, she has a tie-dyed t-shirt and the lovely shiny brown hair of early childhood..
There is no adult on the scene to oversee these kids. At one point I stand up and notice an older boy of maybe nine together with a few of these four or five year-olds at the highest point on the other half of the rock. "Please be careful," I plead. Between us is a sheer forty-foot drop.
It's a climb I never even endeavored to make myself & a precarious perch once attained. But I relax and continue to mind my own business, which is the scrutiny of being itself. This begins in an unfocused gaze at the vast bay and the land around it, and out beyond the gate at the pacific ocean.

There is other foot-traffic mostly just passing through. I have a delicious banana and some water to refresh in this lizard-like sun-bask. Then I decide a puff off my shorty would be fun, only to discover I have neglected ignition. So follows a slow bare-foot climb to the Persian encampment. They anticipate my intrusion but I wait until I'm close-up to ask a young man for a light. Another provides a butane lighter and I ask him if I may keep it a moment. The early-arriving girl who may have observed me in my boxers, says keep it, keep it to get rid of me. I say that I just need one light and insist I return it. This is less awkward for me than lighting the herb while hovering near them.

Back at my stone seat the little kids, are around where I sat. I step off a little to smoke while they don't even look at what I'm doing. In the meantime a lady has climbed-up who is thankfully in charge of the kids. She has an even younger one with her and a tiny dog. I wonder if she'll show any sign of annoyance at me smoking with the kids around. But after I return the lighter and come sit by her, we're quickly in a friendly conversation. Half of the brood are hers half are her sister's. She agrees it is a bit disconcerting to see how intrepid they are on these steep inclines but says that they love it and haven't been hurt yet.
I reply that at least they'll never grow up to be adults who can't climb a rock. The kids urge each other on especially the boys and they somehow find the pluck. They've taken the dog up to a the highest point on this half of the rock and he's nervous. A shelter-rescue he's as adorable as a little dog can be. I help untangle him as they pass him down. The kids talk to the woman seated above me and the older boy stands with his crotch pressing into my thigh. I move a bit and the woman apologizes as if I wouldn't be perfectly happy to hug all this kids.
However they do need guidance as when they attempt to take the poor ton ton (Parisian for "little dog") back down. The boy leader wants to carry him down the steepest descent disagreeing with the Mom's better idea. I have to step in and say "yeah, you can do it but the dog would be too scared." Solved by the kind older cat with the buzz on.
The lady goes with them but says she will come back in a minute. The path below leads down and around the rock ending in a pedestrian pathway that leads eventually to the Solano avenue high street. I see the lady and kids walking down there maybe seeking a place for them to pee. She doesn't arrive back on top before I split but the kids do. They appear in small rock-climbing bands, yes, like big-headed kids in a newspaper comic strip.

I summon my courage and steady myself to climb to that high spot and to stand shirtlessly aloft in the stunning panorama. I notice the Iranian student girl looking at me with some slight curiosity, wondering just how nutty I was perhaps. I'm just trying in my humble way to set my spirit free. A world of struggle lies below but for the moment you project yourself over the trees and later it seems less formidable as a result.
Yet escapism is not the motive and we are called to remain in the world and to help each other as we may. My example follows.

As I prepare for my descent and savor my last moments there, I become aware that the kids are behind me again at that frightening highest spot. A younger quite boyish boy, second in kid command, has ascended the other rock and is urging two little girls to traverse the last precarious rock edge to the tippity-top. One of the girls is the hippie child who just strolls up on all fours. The other little girl hangs back terrified and who could blame her? It's a very serious risk that very few parents would even think of allowing her to take. But the lassez-faire lady is not even around. The boy is unwavering, and proposes that they help her up. The little blonde girl is verging on tears of fear. So old white man has to intervene once again. "Don't make her do it. She's scared." Even then he doesn't concede audibly but I broke the stalemate nevertheless.

Then four o'clock rolls up and the students are splitting too as I get a move on. When I pass by the kids are having a confab in which the little girl's reluctance to risk death is on trial. It's as if it was a matter of crucial importance that she conquer the rock. But the tree at which she firmly stood was far from the edgy rock formation in the middle of the air where she last had been.







Sunday, March 6, 2011

"My World is a Town Called Berkeley"



mail art, postmark 2 March 2011
sent to Coffee Messiah's mail art project, "The World is a Town"

Monday, February 28, 2011

Sunday, February 20, 2011

One Leaf at a Time

For February the column goes LIFE magazine with all photos and succinct captions. The images derive from the acquisition of a new digital camera and what follows are the first result--the quotidian experience of the non-euclidian Flaneur in his element.




16 February 2011



Morning in the World

The pepper tree outside my bedroom window is storybook-like, as if it was imported from Middle Earth, over it tower examples of the dazzling cumulus clouds on February the sixteenth.




Ray's humble pad.





the Artefactual Altar

A moment's meditation befits an observant Surrealist such as myself.




Kitchen Buddha

See what's in store for breakfast. Rather than expand on the fascinating history of each and every object seen, I will just point out the vintage Lebanese hashish bag on the right. Back in the seventies a friend laboriously peeled this one off in one piece rather than ripping the bag to free the hashish as was customary.






Rooftops of the town

But it's too lovely a day to remain indoors exploring only inner dimensions like a latter day Doctor Strange---I've got to get out and into the town.






Bon Chance







Petrified Anaconda






The House of Vines

Sometimes you can easily enter a place that winds up difficult to leave.







Haiku

crowds of splendid clouds
hailstones in sparse winter trees
no one on the line








17 February 2011
A Visitation of Saint Mary Magdalene






On Thursday a very special spiritual event occurred in Berkeley. The upper tibia of Mary Magdalene, as authenticated a relic as exists, came to the Dominican parish of Saint Mary Magdalene church in North Berkeley. It was contained in a tube encased in a glass reliquary and placed on a table before the altar of this California Arts & Crafts movement-style Catholic church.
Pilgrims went up to view it one by one, to pray, to take a prayer card and hold it to the reliquary, to ask for the blessing of this most beloved of Jesus. Mary Magdalene was first to discover the empty tomb and first to meet the risen Christ. She didn't recognize him, until he spoke. Flooded with grace, she addressed him then as rabboni, signifying Great Master.






Skeletal relic of Mary Magdalene

When my chance came I went up for prayer and for a photograph. Flash reflections were inevitable with the glass, yet a clear view of the bone fragment is visible at center.
After Communion in the Mass that followed, my prayer was mystical and deep. Afterward I felt renewed as we spilled out into the brisk evening. All seemed tinted a shade of post-sunset purple.





Schoolyard Jesus

I walked around the church to the yard of the parochial school for this statue. I had a mental note to try to get a photograph of it one day.






Miraculous Weeping Statue

Catherine Tekakwitha a Native American saint (I think).





House of Gravy

Across Shattuck avenue from the bus stop, this house has displayed a large lighted peace sign for decades. I suspect it is where Wavy Gravy resides. If you look carefully into the upstairs window you can discern his face looking out of a large wall poster. (click on image to enlarge)

Peace to all in this peaceful belt of town where I waited in the love-laden nocturne.

Saturday, January 15, 2011

Nearby Bodies of Light



Ever-feline, the Flaneur finds himself mesmerized into mock hibernation by the lights visible in the chilly night.

As the microcosmic constellations of Xmas lights blink out one by one, the year waxes in whack. Gray nights of penetrating mists alternate with clear colder nights when my vision swims toward the little dipper. The big dipper so omnipresent and huge seems about to topple this way. Orion's belt lines up with the pyramids in Giza. There's a sparse little tree a few doors away still lit with a nimbus of tiny purple lights that feels like a hallucination or retinal afterimage when we're lit-up after dark.
In the meantime a golden light appeared on yonder university hillside. I thought for a moment that it was a flame, it seemed so incongruous and sudden. But it remained and undulated in my contemplation, unexplained even through daylight scrutiny with field glasses. All I could discern was that it continues to burn day and night. Only after a few weeks have I spied hard enough and deduced from its proximity to what looks like Lawrence Hall of Science what it could be. It is attached to a small rectangular building with an apparent tower alongside. As if it was an experiment monitoring or monitored out of the ether. It is in a grassy field a short distance from the concrete-slab retro-futurist Hall of Science, with its secular churchy look.
But why the incessant light-polluting yellow light? Are they attracting extra-terrestrial attention? Do they harvest the moth-like creatures drawn to the lamp I mistook for a flame?
Some metaphor for scientists or university students in there--suckered in by that eternal lamp of knowledge LED billboard bullshit.

Just below this in my eastern line of sight up to the hills, another battery of serious light pollution has reared its godzilla-like head up over the trees. High tension pylons of kleig lights have been installed at the high school sports fields. It's part of a make-over that includes a curvilinear viewing pavilion suitable for a dictator. Such moves were no doubt argued against by a hard-core few in the obscure meetings that usually precede the inevitable. It's never a question of money when it applies to football, or militarism in general.
So I accept it as the fait accompli it probably always was and I trust that they won't get away with lighting too much of the time. If they do abuse their welcome I know I will never have to rally myself to complain about it. There are many whose windows face that direction at much closer range and in Berkeley there is rarely a shortage of people willing to lodge a complaint.

These super-nova of conspicuous energy consumption go out fast. The center of my local milky way is quite nearer to home and it shines on brightly through the night. That locus is the art-lamp shop on the corner with it's ever-changing display windows filled with color, sculpture and light. This is the storefront and workshop of one of my oldest friends in California, Helen who sells lamps as Helly Welly. She lives in an apartment on the second floor and opens the whole place to musicians and other friends for folk-oriented jam session parties every New Year's Eve. Typically there are three or four different song circles in various rooms.
This year I fell by at 11:40 nursing a big bottle of Guinness stout. In the parlor upstairs I played harmonica joining in on some old swing tunes. Rang in 2011 with a brass bell, kissed a girl or two and I headed back home at 12:20. 40 minutes and I had just enough fun while avoiding solitude and self-pity at the over-hyped stroke of midnight. It was the end of a challenging year that didn't kill me but left me somewhat stronger and somewhat more secure. I walked off in the wet sidewalk away from the roisterous house of lamps.





A treasure cave of lamps it is too. There are as well numerous objects d'art some of which bearing incandescent elements but which are primarily works of assemblage. Her modus operandi is the judicious curation and juxtaposition of evocative keepsakes from the figurative attic of 20th century childhood.
A majority of her lamps incorporate these vintage, salvaged elements. Others make ingenious use of hardware repurposed as light-bearing structures. Her striking Tom Tom lamps are fondly remembered. Those began as light sockets installed in drums made of hand-made translucent papers stretched taut over tomato plant growers-- tapered, hooped frames made of wire. These evolved into similar wire and paper structures she built in more extravagant shapes. I owned two myself-- they threw the warmest light and evoked appreciation from all my guests.
Her latest creations center around two concepts: one is a column style, like a totem pole or an exquisite corpse, comprised of disparate thrift shop elements stacked-up on a center pole; the other style involves dangling beveled-glass elements to which she applies transparent color photographic images. The bevelled-glass style makes for dazzling chandeliers some of which alternate the glass with shrinked-plastic elements that are strangely expressionistic.

An example of he column-style led to a odd act of vandalism one dark and mysterious night last fall. I discovered it unbidden as I paused for a smoke on a midnight walk. Several of her columns had incorporated milk glass figures, some of storybook characters like Little Bo Peep and others, notably, included the Chinese goddess Quan Yin. The largest of these was arranged foremost in the display window left of her doorway.
I had stopped to admire them several times before that night, but when I looked again I saw that a circle had been inscribed in the glass window that framed the Quan Yin bust and above it was written "idolatry." It clearly wasn't scratched in because of the smooth almost snazzy lettering. An attempt to scrape off what could have been a white ink proved futile and I concluded that some sort of glass-etching pen must have been used.
I pondered what could have motivated this apparently puritanical vandal to damage her window in this show of apparent chastisement. Elsewhere all over town there are shops and yoga joints with unalloyed endorsement and display of buddhas, herukas, avatars and devi of all sorts. Why did her obvious secular artistic use of a such a figure draw this rebuke? It is apparent to me that whoever did it wanted to express something other than a mere accusation of idolatry and paganism. Neither religious christians nor muslims nor hebrews would wrong someone through such an obvious act of vandalism over so trivial a trangression of the interdiction against graven images in their respective creeds.
No, I suspect that it was foremost a vandal who saw an opportunity for a non sequitur, a punch line. I think it was likely an artist-anarchist type who laughs at all gods, the false and the true. I can't credit that anyone who goes around writing graffiti on windows with an etching pen gives a shit about "idolatry."
As time passes, due to the rain and perhaps to some scrubbing activity by Helen. The circle and the ironic charge of "idolatry" have all but eroded away. Meanwhile, to visitors and to automobile and foot traffic alike, Helly Welly's lamp-store has charmed for decades with its suggestion of warm interiors filled with suitably homey, dreamy and sometimes psychedelic lights. The entire place is sort of like a branch of the Smithsonian Institution of... the Twilight Zone.